CREDITS
1. back to even (bill lloyd / don henry )
drums : ken coomer bass : robert reynolds
keys (strings) & melodica : phil madeira
background vocals : don henry; cindy bullens &
randell kirsch guitars, vocals, mandolin and percussion : bill
2.dancing with the past (bill lloyd / beth nielsen chapman)
drums : ken coomer bass : byron house steel guitar : rusty young
background vocals : beth nielsen chapman
gutiars, vocals, mandolin and percussion : bill
3. hindon’t (instrumental) (lloyd) instruments: lloyd
4. dial nine ( lloyd )
drums : marc owens
guitars, keys, vocals and perc: bill
5. almost taken ( bill lloyd / clive gregson )
drums : greg morrow electric guitar fills and
solos ; left speaker : clive gregson
guitars, bass, keys, percussion and vocals : bill
6. I got it bad (bill lloyd /steve allen)
drums : greg morrow slide guitar solo : steve allen
guitars, bass, keys, vocals and percussion : bill
7. the world is a different place without you (lloyd)
string bass: byron house guitars,keys, percussion and vocals : bill
8. for the longest time ( bill lloyd / peter case )
drums : ken coomer bass : robert reynolds
harmonica: peter case organ: phil madiera
harmony vocals : kim richey, peter case & bill
guitars, mandolin, percussion and vocals : bill
9. kissed your sister (lloyd )
drums : marc owens guitars, bass, keys and vocals : bill
10. we are two ( bill lloyd / bill demain )
drums : ken coomer bass : scott baggett
violins, viola and cello : chris carmichael
bg. vocals / swandive : molly felder & bill demain
guitars, mandolin & vocals : bill
11. me against me ( lloyd )
drums : fenner castner bass : don dixon
guitars, keys, percussion and vocals : bill
12. the perfect crime ( bill lloyd / pat buchanan)
drums : marc owens steel guitar : rusty young electric
solo (right speaker) & backerds guitar : pat buchanan
guitars, 6 string bass, vocals and percussion : bill
13. a story i can’t tell (lloyd )
drums : marc owens steel guitar : rusty young
guitars, bass, piano, mandolin, harmonica,percussion & vocals : bill
14. another side ( bill lloyd / david surface)
drums : fenner castner bg vocals : doug carman
guitars, bass, mandolin, keys, vocals and
percussion : bill
15. oasis ( lloyd )
drums : marc owens
gtrs, bass, keys, perc & vox : bill
produced by bill lloyd with tracks 1, 2, 5, 6, 8, 10, & 15 in association with scott baggett as co-producer - drums recorded by scott and tracks later mixed by scott at the electric sandbox / nashville tennessee - all other tracks mixed at def heffer studios in nashville (home) by bill except 4 mixed by scott - drums on tracks 5 & 6 were recorded at the hum depot in nashville by scott drums on tracks 4, 9, 11, 12, 13 & 15 were all recorded at high street studios in bowling green kentucky with marc owens drums on track 14 were recorded by steve allen at blue planet studio/nashville intros and musical interludes were recorded and performed by bill at dh
LYRICS
Back To Even
Bill Lloyd /Don Henry
V1
I’ve been in the red I’ve been in the black
Now it’s good to be Back To Even
I reached for the stars and I fell through the cracks
Now it’s good to be Back to Even
My life hit the curb knocked my wheels out of whack
but I made it Back to Even
It all re-alligned as a matter of fact
it took me straight Back to Even
CH #1
How I got from there to here
isn’t exactly clear
but that’s all behind me
and now you can find me ..
dancing on air..with only love to hold me up there
V2
From a Dom Perignon to a brown paper sack
It’s good to be Back To Even
From a Jacqueline Suzanne to a Jack Kerouac
It’s so good to be Back to Even
CH #2
The distance from here to there
doesn’t matter to me.. I swear
‘ Cos that’s all behind me
Now you can find me
dancing on air..with only love to hold me up there
(solo over verse)
BR
Even when luck runs out , leavin’ me full of doubt
I know what life’s about.. it’s love
V3
I was hanging myself but I gave me some slack
Now it’s good to be Back to Even
Just in the nick of time I got the knack
It’s good to be Back to Even
Dancing With the Past
Bill Lloyd / Beth Nielsen Chapman
V1
I don’t ever look back
I just want to feel this moment
Follow where it’s goin’, baby
I don’t ever look back
that’s just Dancing With the Past
V2
I don’t ever look back
I don’t like to let old messes
Ever get the best of me
I don’t ever look back
That’s just Dancing With the Past
BR
Well, I get so scattered when the four winds blow
And I stand real still and let the clouds keep rollin’ on
And I surrender to the Big Don’t Know
And the Back and the Forth and the Ebb and the Flow
V3
I don’t ever look back
Dwelling on the dreams that shattered
Now it doesn’t matter, baby
I don’t ever look back
That’s just Dancing With the Past
BR #2
Well, I get so scattered wehen the four winds blow
And I stand real still and let the clouds keep rollin’ on
And I surrender to the Big Don’t Know
And I turn it all over and let it all go
V4
I don’t ever look back
I’ve already fought those battles
Now they’re only shadows, baby
I don’t ever look back
That’s just Dancing With the Past
That’s just Dancing With the Past
Dial Nine
Bill Lloyd
V1
My guess ? You’re stressed
More than you can stand
Everything you planned
Lost in the shuffle
No win Shut in
Locked behind your door
Show me now you’re more
than a piece of the puzzle
CH#1
Don’t take the long way ‘round
Don’t let it get you down
Dial Nine Dial Nine Dial Nine
to get out
V2
Air tight Stage fright
Fighting for your breath
Don’t wait to confess
the way that you’re feeling
Last gasp.. break glass
in emergency
Defy gravity .. head for the ceiling
CH#2
Make your escape right now
I’m gonna’ tell you how
Dial Nine Dial Nine Dial Nine
to get out
BR
It always happens in an instant
You pick the time you pick the place
It’s gonna’ wear down your resistance
in a hundred different ways..
Almost Taken
Clive Gregson / Bill Lloyd
V1
Twice as real as yesterday
Half a lifetime ‘til tomorrow
Closing curtain ..come what may
Where you lead me I will follow
Falling through endless expectations
I was Almost Taken
V2
Two ships passing in the night
Crossing seas in stormy weather
Broken compass shadow light
always throwing us together
off our course.. from tempest to temptation
I was Almost Taken
BR
Taken from loveless arms to
a hopeless situation
Under the masks we wore you knew
I was Almost Taken
Falling through endless expectations
I was Almost Taken
I Got It Bad
Bill Lloyd / Steve Allen
V1
Here’s my secret
I Got It Bad
I can’t keep it
‘ cos I Got It Bad
my misery
is plain to see
you’re all I wish I had
whenever I see you
I Got It Bad
V2
Love’s a sickness
and I Got It Bad
God’s my witness
I Got It Bad
I try to speak
my knees go weak
I’m cold as Leningrad
whenever I’m near you
I Got It Bad
BR
I shut right down
each time you get too close
I want to tell you
but you never seem to notice
The World’s A Different Place Without You
Bill Lloyd
V1
What will I have?
Well, I’ll have what you’re havin’
from the night before the morning after
‘ Cos that’s how it was
at least what I remember..
A midnight kitchen full of laughter
CH#1
Taken away.. ready or not
and I never took the time to say
all I forgot, or thought that I knew
The one thing I know that’s true
The World’s A Different Place Without You
V2
I shout to the wind
and I hope somehow you hear me
up there in the vast horizon
I have a joke
and a couple of questions..
if eternity is worth survivin’
CH#2
Send me a dream while I’m asleep
and show me what I’m not supposed to know
Trust me to keep a secret or two
just leave out what I already knew
The World’s A Different Place Without You
For the Longest Time
Bill Lloyd / Peter Case
V1
Now when I saw you yesterday
it’s like the world stopped spinning ‘round
And it seemed like time was standing still
The years have been real good to you
there’s still a smile inside your eyes
that was something I was waiting to see
For the Longest Time
V2
I guess I made a mess of things.. and left you holding what was left I never dreamed I’d get a second chance to pick the broken pieces up from where I let ‘em lie but that’s been something I’ve been wanting to do For the Longest Time
CH
For the Longest Time
there was so much that I wanted to say
And For the Longest Time
all I thought about was how I threw it all away
V3
Somehow you still saw something there
You threw your arms open wide
That’s a place I’ve been wanting to be
For the Longest Time
(solo)
CH#2
For the Longest Time
I was lonely as a man could be
I thought that I was fine.. but I was livin a lie
blaming everyone but me
V4
I never stopped to think I’d break your heart
but the broken heart was mine
that’s something I’ve had to live with For the Longest Time
And that’s something I’ve been wanting to say For the Longest Time
Kissed Your Sister
Bill Lloyd
V1
Now out of all those memories
that keep coming back to me
I get one that reappears
nearly every seven years
It dates from the seventies
From the middle of my teens
How I could not resist her
the night I Kissed Your Sister
BR
The kiss.. it wasn’t bad
Maybe the first real kiss I had
Must be the reason it remains
in that corner of my brain
V2
These days she’s rarely on my mind
Just once a year at Christmas time
But it’s been bugging me for days
and I can’t make it go away
Despite the years of therapy
I get unwanted memories
that pop up like a blister
like the time I Kissed Your Sister
BR #2
The kiss was in the stands
and in full view of the fans
at the finals of the tournament
we had no shame.. but that was then
V3
Now if the time should ever come
you feel you need to tell someone
Don’t go telling her I miss her
It’s just a memory..somehow it stuck with me
like that song by Mister Mister.. or that game of Naked Twister was the time I Kissed Your Sister
We Are Two
Bill Lloyd / Bill DeMain
V1
we are two
two of a kind
we are
through and through
of the same mind
and heart
when I’m one
it feels like I’m wandering lost and alone
but then you come
to open my eyes
and I realize
that
V2
we are two
a couple of leaves
from the same tree
me and you
lifetimes ago
destined to be
as we dance
up in the wind .. drifting through time
left to chance
we can’t divide
what’s there inside
we are
BR
two.. of us
it takes two of us
always two of us
to make sense of it all
V3
we are two
two of a kind we are
shining through
look how we’ve come so far
when I’m one
it feels like I’m wandering lost and alone
but then you come
to open my eyes
and I realize
we are two
Me Against Me
Bill Lloyd
V1
I used to think the whole world was against me
If not the world.. then, most certainly, you
The daily rushes of the endless fight scene
No one a winner when the show is through
CH#1
I could never see ..
my worst enemy
was me
Me Against Me
Me Against Me
V2
I lived the life if you could call that livin’
I simply held the hand that I’d been dealt
Between us now.. it’s me who’s never forgiven
the crimes that I committed to myself
CH#2
I could never see
that my own worst enemy
was me
Me Against Me
Me Against Me
BR
I thought it was me against the future
I thought it was me against the past
I thought it was me against the hand of fate
like a Hindu and his caste.. his plaster caste...
aww rock on..
The Perfect Crime
Bill Lloyd / Pat Buchanan
V1
it’s just as well I forced my way
into this bed I made myself
and there you were waiting for me
to make ammends to keep my word
my heart slowed down to a crawl the writing was on the wall
CH
the moment came the moment went
I had my chance but it got spent
I ran the clock out now I’m out of time
the perfect crime
V2
Victory came without a parade
It fell in my lap like tea from a tray
the truth can’t touch me.. I’ve already won this round but not by much
I stuck around long enough to wait out the lease on love
CH
the moment came the moment went
I had my chance but it got spent
I ran the clock out now I’m out of time
the perfect crime
(solo)
my heart slowed down to a crawl
the writing was on the wall
A Story I Can’t Tell
Bill Lloyd
V1
We let it go by
The moment came and went just like that
So now you and I
both agreed to never look back
CH#1
It’s not easy as we learn to forget
the feelings that were too hard to handle
I can’t be bothered to go over it again
‘ cos I know this tale too well.. it’s
A Story I Can’t Tell
V2
It’s all tucked away
We finally had to put it to rest
The colors went gray
and the details are blurry at best
CH#2
It’s not easy as we learn to let go
of all the memories too big to carry
I can’t be bothered to go over it again
‘ cos I know this tale too well.. it’s
A Story I Can’t Tell
Another Side
Bill Lloyd / David Surface
V1
Red tail lights
fading in front of me
but I’ll drive all night
thinkin’ ‘bout what you said to me
Come around and see Another Side
Come around and see Another Side
V2
You say that I ... don’t want to understand
You know that’s a lie.. look at that ring on your hand
Come around and see Another Side
CH
We’ve been here such a long time
far from satisfied
Come around and see Another Side
Tell me you can see Another Side
V3
Hey what’s that
that look you’re givin’ me
from where I’m at
you’re miles from ever forgiving me and
CH#2
You think maybe you hate me
I think let’s take a ride
Let me show you there’s Another Side
Tell me you can see Another Side
Ever dream that there’s Another Side ?
Try and remember there’s Another Side
OASIS
Bill Lloyd
V1
a desert sun .. with miles to run
and not a drop to drink
that wasn’t how we started out
no matter what you think
as I look back.. the nights were black
but stars still shone above
CH
Nothing can erase this Oasis of love
V2
Daylight brings a millions things
that lie in disarray
Directionless I have to guess
on how I’ll find my way
but there’s a truth I hold onto
when push turns into shove
CH
Nothing can erase this Oasis of love
BR
More than a mirage or a fever dream
More than a figment of my memory
V3
the shifting sands of time demand
that nothing will prevail
the wind will blow away all proof
we ever left a trail
so I keep heaven in my head
and that will be enough.. ‘cos
CH Nothing can erase this Oasis of love
1. Back To Even (Bill Lloyd / Don Henry)
This title track was co-written with Don Henry who is one fine songwriter and makes great records himself. We wanted to write about those times in life when you’re able to step back and get some perspective on what you really have. The Swag/Wilco/Mavericks rhythm section of Ken Coomer and Robert Reynolds really worked out great on this. Cindy Bullens and Randell Kirsch sing the beautiful harmonies on the bridge. I recor d most of the overdubs at home at different times.. I don’t think they’ve ever met in person.
2.Dancing With the Past (Bill Lloyd / Beth Nielsen Chapman) Beth is another longtime Nashville friend who makes amazing records and writes boatloads ‘o ‘ hits. She sang harmony all over this one too. Rusty Youngs pedal steel added the country-rock meets power-pop thing I love. It’s like Poco Meets Elvis Costello. I wish I could really live up to the lyric on this. Anyone who knows me knows this is more of a self-reminder than a real-life truth!
3. Hindon’t (instrumental) (Lloyd)
While I haven’t made records with alot of instrumentals, I did get into the habit of recording instrumentals in my home studio and compiling them to pitch as soundtrack fodder or background music with hopes of finding spots in tv and film. This one seemed to fit coming out of “Dancing..”
4. Dial Nine ( Lloyd )
Woudn’t it be great to be able to simply dial nine to get out of any given situation you want out of? My longest musical collaborator (since fifth grade playing G-L-O-R-I-A in the basement) is drummer, Marc Owens. He knocked this out quick. My co-producer on many tracks, Scott Baggett, mixed this one and beat my ruff mix hands down. The best stuff I do from a sonic viewpoint is always with Scott.
5. Almost Taken ( Bill Lloyd / Clive Gregson )
Clive Gregson, my co-writer on this, is from Manchester, England but is now a Nash-Villian.. like so many of the musicians, writers and singers on this record. He was in a band called Any Trouble that was on the Stiff label back in the “New Wave” days. We’ve written several songs over the years but this one is my favorite. Clive also plays some fine guitar on this. He played second guitar to Richard Thompson on the road for a good while, so if you hear that guitar sound.. that’s him. Lyrically, I know what this meant to me but I get different reactions from different people on the songs meaning, so I think I’d rather leave that to interpretation!
6. I Got It Bad (Bill Lloyd /Steve Allen)
Steve Allen, who still plays in the fab 20/20, and I end up playing guitars a good bit together in different musical situations. Our co-write here is very much a Beatles/NRBQ sort of thing. Pretty and straightforward!
7. The World Is A Different Place Without You (Lloyd)
This started off being written to.. at.. someone who had “left the sphere” as Lord Buckley used to say. Now, when I sing it, it takes on new meanings. Old friend and world class bass player, Byron House, plays upright on this one.
8. For The Longest Time ( Bill Lloyd / Peter Case )
I was always a big Peter Case and Plimsouls fan so it was great to get to write one with Peter. He did the harmony vocal and harmonica when he came back through town later. Kim Richey has sung on every record I’ve ever made so I didn’t want this one to be the first album of mine to start the bad trend of her NOT appearing on my records. Kim has always had an amazing ear for vocal parts. This track also has the Swag rhythm section.
9. Kissed Your Sister (Lloyd )
This song is only about ten percent true. The jokey aspect of the song was too funny to NOT write. .. especially when all the sister rhymes started stacking up. I wanted it to sound like 1979. Again, Marc Owens played drums. When we cut the drums, you can hear me yell the arrangement to him at one point.. “KEEP GOING!”.
10. We Are Two ( Bill Lloyd / Bill Demain )
One of my favorite things about this recording is Chris Carmichael’s one-man string quartet. He’s a secret weapon of alot of Nashville’s better recordings. Bill Demain of Swandive and I write alot of songs together and this one is unabashedly romantic. A good respite from the rest of the darker aspects of many of these songs. Bill and Molly from Swandive sang a great vocal part here too. Ken Coomer’s drums really swing.
11. Me Against Me ( Lloyd )
I just found out that John Wesley Harding used this title before I wrote my own. I promise it wasn’t a “lift” Wes! I did write a whole ‘nother song with the same title on a trip to Switzerland in ‘98 or so. But this was the keeper and I like the jazzy vibe it has. Thanks to Don Dixon for playing bass on it when we were supposed to be writing.
12. The Perfect Crime ( Bill Lloyd / Pat Buchanan)
Pat and I have co-written alot over the years and he’s a good friend and amazing guitarist. I am somehow able to write pretty personal stuff with him in the room. This fits in just right following “Me Against Me”. It’s also one of the RAWK tunes on here.
13. A Story I Can’t Tell (Lloyd )
An obvious Neil Young influence here. That’s not bad is it? LOVE Rusty Young’s steel. Thanks Rusty.
14. Another Side ( Bill Lloyd / David Surface)
The other writer on this is David Surface, who is a longtime friend and collaborator. Stylistially, this song reminds me alot of the songs we wrote in our late ‘70’s / early ‘80’s bands.. except I think this SONG might hold up better in the long run than our “new wave” anthems. He steered the lyric onto very personal ground for me.
15. Oasis ( Lloyd )
This song DID start out as being a reaction to the band Oasis doing an album called “Standing on the Shoulder Of Giants” shortly AFTER my nearly identically titled album back in ‘99. I just thought I’d write a song called Oasis and call my next album Oasis (didn’t Nick Lowe already do that with Bowie?). At any rate, I got a “real” song in the process and had a blast putting this one together. I started off snarky and ended up with more soul than I had originally imagined. I wish Ringo would record it.
Published reviews
Mojo Magazine #139 (UK)
Bill Lloyd
**** (four stars)
Back To Even
New Boss Sounds
Deft guitar and harmony-driven powerpop from fine Nashville songsmith.
Formerly of hit country duo Foster & Lloyd, and more recently co-writer of Beth Nielsen Chapman's Trying To Love You, Bill Lloyd now mines the rich seam of powerpop. Ringing guitars and Beatles harmonies - few can pull this off, but Bill has a knack for lasting melodies and nagging hooks. Bendy guitars introduce the optimistic title track, in which he announces that, after a period in the doldrums, he has cleared the deficit and is "back to even", a neat lyrical premise. The quality is maintained throughout and such is Bill's surefootedness that other songwriters line up to collaborate, notably Don Henry, Peter Case, Clive Gregson and the aforementioned Nielsen Chapman. Discs such as these are rare and often buried by a
glut of mediocre releases, but if early Rembrandts, Fountains Of Wayne or, dare I say, the better aspects of Busted tick your boxes you'll love this.
Will Birch
No Depression
September-October
Bill Lloyd / Back To Even (New Boss Sounds)
When the rootsy-pop Mount Rushmore is constructed, Bill Lloyd will be holding down the George Washington slot (my tabletop mock-up has Marshall “Abe” Crenshaw on the other bookend; the Tom and Ted slots remain open). Many folks introduction to Lloyd come courtesy of the mid-80’s country duo Foster and Lloyd, but he started out in the late Œ70’s, first with Southern Star (a band that also featured Kim Richey) and then with the new-wave leaning Sgt. Arms. In addition to three previous full-length solo albums, Lloyd has recorded with The Sky Kings and with Jamie Hoover, teaming up with the latter earlier this year for a hook lover’s feast titled “Paparazzi. And his discography reveals involvement in an incredible 28 “various artists” projects ranging from tribute albums to regional and international compilations.
Lloyd’s work has consistently been of such high quality that, of Back To Even, you might think “ho-hum, another four-star-effort” and elect to pass it by. Here’s some unsolicited advice: don’t. Instead, dig in and appreciate any number of memorable moments, some striking, some subtle. There’s the album-opening title track whose first 15 seconds define the word catchy while housing the memorable scene and album setting line, “I’ve been in the red and I’ve been in the black/ It’s good to be back to even”. Seek out Rusty Young’s pedal steel exclamation points on “Dancing With the Past”, and Richey’s harmonies and Peter Case’s harmonica on the Lloyd/Case co-write “For the Longest Time”. (Other guests and /or co-writers include Don Dixon, Clive Gregson, Beth Nielsen Chapman, and Nashville chamber pop band, Swandive).
Perhaps, most of all, savor the collective chime that is “Kissed Your Sister”, which is equal parts nostalgia and regret with an undercoat of giddiness. The song, like Bill Lloyd, is monumental.
Rick Cornell
Music Row
August 2004
Nashville Treasures
The Disc of the Day was a battle in the Pop-Rock arena. That’s where I find so much truly quality Nashville music. Can I get a witness for Bill Lloyd? What a treasure he is on so many levels. We’re a lucky town to have him.
Bill Lloyd / Back To Even (New Boss Sounds)
Track: “Back To Even” Writers: Bill Lloyd / Don Henry
In a town full of pop talents, this guy reigns supreme. Does anyone have better Beatlesque hooks? Does anyone make records as charming? Does anyone deserve pop stardom more? The answer to all of the above is “no”. And the answer to this crunchy bopping CD title tune is a resounding “YES”.
Robert K. Oermann
THE RAGE / Nashville, TN.
JULY 2004
Whip around the cable television landscape at about 3AM, and chances are you’ll find the Little Giant ladder system infomercials on no fewer than five different channels. The miracle device promises two dozen different configurations, anticipating your every ladder need. if you find yourself needing to paint the inside of a stairwell situated over a pair of hydrangea bushes, than this thing is the tool for you.
What does any of this rambling have to do with this record? Simple. No matter what power pop configuration you need (and there are far more than two dozen), Bill Lloyd is your man.
Back to Even finds Lloyd in comfortable surroundings, crafting solid , hooky, pop tunes with a group of friends that includes songwriters Don Henry, Beth Neilsen Chapman and Bill DeMain and musicians such as drummers Ken Coomer and Greg Morrow; guitars Clive Gregson and Rusty Young and bassists Byron House and Robert Reynolds.
However, the songs on Back to Even take on a slightly darker hue than past Lloyd efforts, due most likely to personal tumult over the past couple of years. There are equal parts regret (Almost Taken, The World is a Different Place Without You), analysis (Me Against Me, For the Longest Time) and acceptance (the title track , Dancing with the Past) that showcase the gamut of real, adult emotion in the face of unexpected personal change. But Lloyd is a master of showing the light within the dark, as well, rolling out the fun tracks like Dial Nine and Kissed Your Sister as counterpoints to the records overarching heaviness.
With Back to Even, whether he intended it or not, Bill Lloyd shows that power pop doesn’t have to always be about girls or cars or fanciful flights of imagination; that it’s a musical form capable of conveying more than the jangle normally let’s on. Leave to a master craftsman to figure out a new and better way of use his tools.
Lucas Hendrickson
Amplifier
July-August 2004
Back To Even (New Boss Sounds)
Bill Lloyd is back! Any release from Nashville’s enormously talented pop savant is a cause for celebration and his new record, Back To Even, certainly does not disappoint. Featuring co-writes with Peter Case, 20/20’s Steve Allen, Clive Gregson and Swandive’s, Bill DeMain, this is a joyously hooky feast for the ears, with classic-sounding pop songs like “I Got It Bad” , “Dancing With the Past” and the cheery title cut vying for best of-disc with moodier numbers such as “Me Against Me” and Almost Taken”. There’s even a al all-too-brief steaming-rocker-with-scratchy-guitar called “Kissed your Sister” with Lloyd rhyming the title with “pop up like a blister”, “a game of Naked Twister” and “like that song by Mister Mister”. Genius, I say.
John M. Borack
USA TODAY 11.23.04
Bill Lloyd “Back To Even” (***)
Guitar-based pop-rock (sometimes known as power pop) used to be music’s dominant form in The Beatles mid-60’s heyday. Now it’s a niche populated by hundreds of artists worldwide competing for a relatively small sales market. Because everyone in the narrowly focused but populous power-pop arena uses essentially same straightforward structure, style, instruments and chords, distinctive artists are hard to find. But Lloyd is a master of the form. Guitars chime, harmonies soar, hooks abound on effortless-sounding songs such as Another Side and the title track. And to his advantage, he deploys effective country elements held over from his late-80’s incarnation as a star in the duo Foster & Lloyd, when he and like-minded artists such as the Desert Rose Band forged a fabulous country/pop-rock hybrid that revitalized Nashville.
Ken Barnes
UNCUT
SEPTEMBER 2004
Bill Lloyd
BACK TO EVEN **** (NEW BOSS SOUNDS)
Nashville power-pop godfather returns.
Those who remember him from 80’s country-rock duo Foster & Lloyd, or from his guest slots with Marshall Crenshaw and Steve Earle, will know Lloyd has an expert at country and power-pop fusions similar to Pat Buchanan. The 15 tracks here include collaborations with Poco’s Rusty Young, Peter Case and Beth Nielsen Chapman who’s “Dancing With the Past”- symbolizes the twangy country/tangy rhythms on offer. Essentially though, this is a class solo disc with some perfectly executed bittersweet pieces like “Me Against Me” and “Kissed Your Sister” to lengthen the summer.
MAX BELL
HARP MAGAZINE NOV/DEC. 2004
BILL LLOYD
Back to Even (New Boss Sounds)
JAMIE HOOVER & BILL LLOYD
Paparazzi
(Paisley Pop)
Power pop titan Bill Lloyd tends to keep us waiting a good while between each release, so the near-simultaneous appearance of two Lloyd projects - one a solo album, the other a collaboration with longtime Spongetone Jamie Hoover - qualifies as an embarrassment of riches. Back to Even features plenty of vintage Bill Lloyd music (along with, by his own admission, some unusually personal lyrics). There's jangling and kerranging power pop, naturally, but lots of other pop as well: country-rock/power-pop double-yer-hybrids reminiscent of Foster & Lloyd, somber acoustics, jazzy ruminations, Badfinger recapitulations, new wave echoes and way-cool instrumental bridges and snippets. There's plenty of collaboration on the songwriting and playing/singing fronts, too, from Lloyd pals such as Peter Case, Swan Dive, Don Henry and Beth Nielsen Chapman. On Paparazzi, it's all Lloyd and Hoover (except for the able assistance of the Smithereens' Dennis Diken on drums): The credits inform us that all of the songs were co-written and performed by the pair, and lead vocal duty is divided equally. There's no sense of "Hoover" or "Lloyd" contributions here; just classic sounding songs that, if more narrowly constructed than those on Back to Even, still run the gamut of the power pop vocabulary with ease and style.
Stuart Munro
THE BIG TAKEOVER
Bill Lloyd - Back to Even (New Boss Sounds)
Lloyd’s epitaph will begin with former half of the country duo Foster & Lloyd who fused Merseybeat with the Everly Brothers.’ Long after the split, Lloyd pays the bills (as does ex-partner Radney Foster) as a Nashville tune-spinner while issuing sporadic solo outings that appeal to an audience with credit card accounts at Not Lame. The title cut is a stunner‹so much so that at first the rest of the album pales in comparison. Repeated plays reveal a gifted pop troubadour who can wear his grief on his sleeve ("The World’s a Different Place Without You") or shove his existential angst into your face ("Almost Taken") and leave you wanting more. With help from an able-bodied assortment of fellow singer/songwriters (Peter Case, Beth Nielsen Chapman, Bill DeMain, Pat Buchanan, Don Henry, Steve Allen), Lloyd has delivered another fine slab of thinking man’s pop.
(www.billlloydmusic.com)
- Brad Harvey
Bucketfull of Brains
Winter 2004 Issue #67
Back To Even (New Boss Sounds)
The venerable one is back with an excellent disc that showcases his classic style, as well as adding a few new wrinkles. Longtime fans will be able to feast their ears on that familiar, beautiful jangle which permeates tracks like “Back To Even”, “Dancing With the Past” and “I Got It Bad”, but Lloyd breaks some new ground with the raga-inflected instrumental “Hindon’t” and the coffeehouse jazz of “Me Against Me”. Other standouts include “Dial Nine”, an up-tempo tune with some really cool chord changes, the spare acoustic balled, “The World’s A Different Place Without You”, the rootsy “For the Longest Time” (co-written with Peter Case who knows his way around a root or two) and the dirty but sweet, “The Perfect Crime”. If this album puts Lloyd back to even, one wonders what gems he’ll provide when he’s ahead.
David Bash
SAN DIEGO CITY BEAT
Bill Lloyd: Back To Even (New Boss Sounds) 8.6 out of 10
Goes Well With: the dB’s, Tommy Keene, The Windbreakers
Singer-songwriter Bill Lloyd was one-half of the now-defunct Foster & Lloyd, the duo that dominated country radio in the minute and a half between the exit of The Judds and the entrance of Brooks & Dunn. And if there was any doubt as to who was contributing what, the duo’s 1990 separation made things conspicuously clear. Radney Foster returned to country’s Top 10 with “Nobody Wins” while Lloyd dove headlong into the pool of Beatles-influence that informed his pre-Nashville career.
Back to Even, Lloyd’s third release since the split, continues in that classic pop vein, and while this is a solo record in every sense of the word (Lloyd produces, engineers, sings, plays guitar, bass, mandolin, piano and
harmonica) he’s occasionally and ably supported by ‘80s Southern pop icon Don Dixon, Mavericks’ bassist Robert Reynolds and Kim Richey, among other local friends. It proves once again that music, if not relationships, is very often abiding.
Rob Trucks
Winston-Salem Journal
Bill Lloyd Back To Even
Label: New Boss Sounds
If you like: The dB's, smart pop
Song to download: "Dancing with the Past"
Three out of Four Stars
Bill Lloyd tasted the Big Time as the back end of Foster & Lloyd, a duo that fused pop and country in a way that was listenable and downright inventive. Lloyd still lives in Nashville, where he maintains a presence in country music - keep in mind that Lloyd was once under the not-wholly-incorrect impression that country music was what Dave Edmunds played.
Still, Lloyd is a passionate student and fan of pop; his string of critically acclaimed solo albums is a textbook of pop at its most ingenious.
His latest pop excursion, Back To Even, is among his most varied and, ultimately, best, works. To goose things along, he co-writes with and employs a host of should-be-household-name talents, including Peter Case, Kim Richey, Don Dixon and Beth Nielson Chapman. Some songs jangle (the title cut), other songs rock ("Dial Nine"), but all boast subtle twists of melody and arrangement that turn the ordinary into the extraordinary. It takes multiple listens to fully grasp, but Back To Even is one of those albums in which repetition is a pleasure, not a chore.
Ed Bumgardner
HOT BUHDGE
ONLINE MUSIC-ZINE
This is Lloyd's best, most consistent solo effort, and that's saying a mouthful. Plenty of jangle, but plenty of a lot more, too, populates these solid tunes. What is most striking is the command the artist has over his warm, soulful voice; never has it sounded so true.
Lloyd gets off to a running start with the infectious title song, an in-your-face rocker. "Dancing with the Past" keeps things moving in an upbeat fashion, as Lloyd puts a vote in for looking toward the future instead of living in the past. The song's co-writer, Beth Neilsen Chapman, contributes some lovely backing vocals.
The lovely instrumental "Hindon't" is played from first note to last by Lloyd, showcasing his instrumental skills to great effect; dig the allusion to George Harrison's sitar playing as the song comes to a close. The straight-ahead rockers "Dial Nine" and "Kissed Your Sister" are two-of-a-kind; both feature strikingly catchy choruses and infectious beats. In a fight to the finish, I think "Sister" would win, cheesy synth line and all, mostly because the song comes alive in widescreen fashion, notching only 2:05 on the clock, and suggests a game of "naked Twister" for your listening, dancing and romancing pleasure.
Back to Even throws the occasional aural curve ball, as in the light, jazzy "Me Against Me," which features Don Dixon on bass. The deliberately-paced "The Perfect Crime," co-written with popster Pat Buchanan, seems somehow different from the album's other fare, as does the closing anthem, "Oasis," on which Lloyd plays everything except drums (most notably some great, bitchin' solo guitar). "Nothing can erase this oasis of love," Lloyd sings on this song, that will go down as one of his best.
Alan Haber